This article by Isabel Kalous and me on the visualisation of surveillance on scholarly book covers has just come out with On_Culture: https://www.on-culture.org/journal/perspectives/covering-surveillance/
Visiting Scholarship at UC Berkeley in 2022Blog
Great news: I have been granted LMUexcellent funding to go to UC Berkeley as a Visiting Scholar as part of the LMU-UCB exchange programme, thanks to the fantastic support of Professor Dorothy Hale. Covid-permitting, I’ll be spending one month at UCB in the fall semester 2022 to present and continue my work on invisible characters and the novel.
Looking for proposals for „The Agency of Invisibility“ at ESSE 2022Blog
Alice Borrego, Héloïse Lecomte and I are looking for proposals for a seminar on „The Agency of Invisibility in Contemporary Fiction and Theory“. The deadline for proposals of 250 words plus short CV is 31 January, 2022. Please see the description of the panel and a link to the general Call for Papers below. ESSE 2022 will take place in Mainz from 29 August to 2 September 2022.
„The Agency of Invisibility in Contemporary Fiction and Theory“
Alice Borrego (Université Paul Valéry, Montpellier 3, France, email@example.com)
Gero Guttzeit (Ludwig-Maximilians-Universität München, Germany, firstname.lastname@example.org)
Héloïse Lecomte (ENS de Lyon, France, email@example.com)
Invisibility is a prominent conceptual metaphor of social marginalisation, encompassing ideas of death, reification, and disregard (Le Blanc, L’invisibilité sociale, 2009). Yet, Esther Peeren argues, there is also an empowering “agency of invisibility” (2014), which becomes apparent in the contemporary figure of the living ghost. In order to contribute to the emerging field of invisibility studies from the perspective of literary studies, our seminar asks the following questions: To what extent does (the agency of) invisibility inform contemporary novels and short stories? What is the significance of literary narratives for aesthetic, social, political, and ethical concepts of invisibility? What uses can we make of concepts and metaphors of invisibility in our critical readings?